Some projects are realised as online exhibitions or subsites, some are minted on the tezos (clean) nft blockchain, some have been parts of physical exhibitions.
signifiers of life / temporarily closed
(Gaza via Google Earth 2024)
view series
acquisitive-eye – when we took the forest apart (for our pleasure) [2023-24]
Google builds its 3D view with photogrammetry based on multi-positional images from aerial photography. Meshes that describe object surfaces are skinned with textures taken from the same images – this sometimes allows us to enter fictional spaces and perhaps see how algorithms attempt to recreate the world
external project website – https://acquisitive-eye.biote.net/3d-mode/
Minted on https://teia.art/acquisitive-eye
acquisitive-eye – a small collection of trees [2023-24]
Google enjoys turning trees into transient forms; an interrogation of 3D deficiencies and texture mapping gone wrong
external project website – https://acquisitive-eye.biote.net/3d-mode/
Minted on https://teia.art/acquisitive-eye
acquisitive-eye – mapping unreality [2022-23]
Images, gifs, movs using Google Earth and other satellite mapping platforms. Interrogations of the technology through its own glitches
external project website – https://acquisitive-eye.biote.net/
NFTs minted on https://teia.art/acquisitive-eye
acquisitive-eye – earthworks [2021-23]
Images, gifs, movs using Google Earth and other satellite mapping platforms, investigating human intervention through maps
external project website – https://acquisitive-eye.biote.net/earthworks/
Minted on https://teia.art/acquisitive-eye
acquisitive-eye – equivalence / obscured by cloud [2023]
clouds and cloud-removal as seen from above with an essay relating the satellite view to that of Alfred Stieglitz Equivalents
external project website – https://acquisitive-eye.biote.net/equivalence/
waste-ink | waste-paper [2022-24]
Waste inkjet and other papers treated with waste inkjet dyes and pigments
external project website – https://collapse-into-air.biote.net/
circumstantial evidence [2023]
curatorial project and essays around the subject of the digitized work as evidential visual.
with John Lyall, Jon Carapiet, Jennifer French and Haruhiko Sameshima
external project website: https://circumstantialevidence.biote.net/
collapse v2 [2021]
An ongoing series of experiments with digital tools and materials
exhibition subsite – https://stusontier.net/collapse/
collapse v1 [2020-21]
An ongoing series of experiments with digital tools and materials
exhibition subsite – https://stusontier.net/collapse/
from this one moment [2019]
excerpts from an exhibition at Hum Salon in June 2019
an endless portrait of wind [2018]
animated gif exploring restructuring of time-based events
observer phenomenon [2018-19]
a meditation on unending natural processes
ether [2016-18]
an ongoing series of image sequences concerned with uncertainty and the sublime
external project website – ether.stusontier.net
A Fickle Light [2020]
a series concerned with artificial light, incidental or thrown, on vegetation and the night sky
