Some projects are realised as online exhibitions or subsites, some are minted on the tezos (clean) nft blockchain, some have been parts of physical exhibitions.

acquisitive-eye – when we took the forest apart (for our pleasure) [2023-24]

Google builds its 3D view with photogrammetry based on multi-positional images from aerial photography. Meshes that describe object surfaces are skinned with textures taken from the same images – this sometimes allows us to enter fictional spaces and perhaps see how algorithms attempt to recreate the world

external project website – https://acquisitive-eye.biote.net/3d-mode/
Minted on https://teia.art/acquisitive-eye

acquisitive-eye – a small collection of trees [2023-24]

Google enjoys turning trees into transient forms; an interrogation of 3D deficiencies and texture mapping gone wrong

external project website – https://acquisitive-eye.biote.net/3d-mode/
Minted on https://teia.art/acquisitive-eye

acquisitive-eye – mapping unreality [2022-23]

Images, gifs, movs using Google Earth and other satellite mapping platforms. Interrogations of the technology through its own glitches

external project website – https://acquisitive-eye.biote.net/
NFTs minted on https://teia.art/acquisitive-eye

uncharted territories #9

acquisitive-eye – earthworks [2021-23]

Images, gifs, movs using Google Earth and other satellite mapping platforms, investigating human intervention through maps

external project website – https://acquisitive-eye.biote.net/earthworks/
Minted on https://teia.art/acquisitive-eye

acquisitive-eye – equivalence / obscured by cloud [2023]

clouds and cloud-removal as seen from above with an essay relating the satellite view to that of Alfred Stieglitz Equivalents

external project website – https://acquisitive-eye.biote.net/equivalence/


waste-ink | waste-paper [2022-24]

Waste inkjet and other papers  treated with waste inkjet dyes and pigments

external project website – https://collapse-into-air.biote.net/

circumstantial evidence [2023]

curatorial project and essays around the subject of the digitized work as evidential visual.
with John Lyall, Jon Carapiet, Jennifer French and Haruhiko Sameshima

external project website: https://circumstantialevidence.biote.net/

collapse v2 [2021]

An ongoing series of experiments with digital tools and materials

exhibition subsite – https://stusontier.net/collapse/

collapse v1 [2020-21]

An ongoing series of experiments with digital tools and materials

exhibition subsite – https://stusontier.net/collapse/

from this one moment [2019]

excerpts from an exhibition at Hum Salon in June 2019

an endless portrait of wind [2018]

animated gif exploring restructuring of time-based events

observer phenomenon [2018-19]

a meditation on unending natural processes

ether [2016-18]

an ongoing series of image sequences concerned with uncertainty and the sublime

external project website – ether.stusontier.net

A Fickle Light [2020]

a series concerned with artificial light, incidental or thrown, on vegetation and the night sky